I Finished My Manuscript-Now What?

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Now that you’ve written an amazing manuscript, you can’t wait to send it out into the big wide world of publishing. Don’t do it! Well, not yet anyway. If you want to see your book in print, always have that as your goal. But, you’ll also need to do a lot more work on it. So let’s talk about what you need to do to get your book agent/publisher ready.

First, once you’ve finished your manuscript, let it sit. Most editors and agents will tell you to not look at it for at least a couple of weeks, a month is better. Work on another project. Then when you go back and look at it again, you’ll be able to see things that you can improve on.

Now that you’ve let it stew for a bit, read through the entire manuscript from beginning to end. Resist the urge to edit. Make notes in the margins, or if you use Microsoft Word, use the “New Comment” tool under under “Review.” Now that you’ve read it through, go back and start your revisions. Do this at least two or three times. With Soulfire I must have edited and revised that book multiple times over a span of about seven years. However with my most current manuscript, it only took me a month to revise it, (after letting it sit for several weeks). It just depends on the individual book. My seven-year book was highly research involved.

When you are happy with your manuscript ask for a couple of readers. No, you may not ask your mom or best friend.  If you need your ego stroked, then have them read it. They are bound to tell you it’s perfect. But if you want to be published, get a real beta-reader. They will give you your most valuable helps. What’s a beta-reader? It’s someone who is a writer or someone who is an avid reader. Just make sure you give your book to someone who will give you great feedback.

I like to send out my manuscript at least three different times and to at least three different readers each time–for a total of nine readers. I always have a goal in mind when I send my manuscript out to my beta readers. The first time, I ask readers to look for inconsistencies, anything that reads poorly, anything that feels out of place or wrong. I ask them to give their honest reaction to the book. After I get the manuscript, I take a serious look at what they have to say and make more revisions. I send it out again with the same instructions to my second set. My third time out I ask specific questions. For instance, in my current WIP I needed to make sure that I had all my football terminology correct, so I gave it to a football player.

Now, I’m incredibly lucky to have a final beta-reader, whose opinion I’ve really come to rely on. She’s my last set of eyes before I send it to a publisher/agent. Her specific goal is to look for misspellings, grammar, commas–basically line edits. I just got back notes on my WIP this week, and I plan on spending a couple of days going over her notes, and then it’s off to the publisher, who, by the way, has asked for a full manuscript based on my pitch session with him. Wish me luck…and happy revising!

Are you ready to send your darling out?

What You Want Most

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This weekend I had the opportunity to attend ANWA (American Night Writers Association) Writing Conference. The classes were great–I learned something new from each, but what made this particular conference so amazing is that I attended a very special class called “The Importance of Eggs Benedict to your Career as an Author” given by James Owen, the author of Here There be Dragons series. Now I’ve heard James speak before and he’s wonderful. Little did I know that the words he would give to me would be exactly what I needed to hear just before my pitch session with Chris Schoelinger of Shadow Mountain.

You may ask, “What does Eggs Benedict  have to do with pitching?” You’d be surprised. James told of his passion for Eggs Benedict and always asks about them whenever he travels. The best answer he ever got was from someone who proclaimed his Eggs Benedict were the best ever made.

So how does this relate to writing. The secret to success in your career as a writer is to believe in your product. Sell your work, sell yourself as an author. This is something I know, something I believe. But the question is, have I lived it? No. Sadly I have not.

Which brings me to the second most profound thing James said that day–and I heard it three times. “Never, ever sacrifice what you want the most for something you want right now.” I got to thinking about the things I have sacrificed because of fear, because of what I thought were needs. This really didn’t even sink in until I came home and told my dear husband about the conference and what James said. I want to write for the national market. That’s one of the things I’ve always wanted. All last night I kept thinking how I’d love to go to a really big writing conference in May. But I justified that I shouldn’t go because it would cost so much money, that I wouldn’t get to spend Mother’s Day at home–You get the picture. I voiced those things to my husband and he said, “Are you sacrificing what you want most?” I was. I love that man! He said, “We’ll just stop buying ice cream and tighten our belts so that you can go.” Happy Mother’s Day!!!!

What do you want most? How are you going to make that your priority?

You can find out more about James Artemis Owen.

Good-bye 2012, Hello 2013

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It was an interesting year to say the least. Lots of changes, some great, some not so great, and others down right stinky! But as my brilliant friend Peter Hill says, “If you are depressed, you’re living in the past, if you’re anxious, you’re living in the future. If you’re happy, you’re living in the present.” Some days I feel a little of each. I have to remind myself that it’s okay to feel those emotions–past, future, and present. What’s not healthy is dwelling in the past and worrying to much about the future. The key to a rich and full life is to find joy now. To look around and see things in your life to be grateful for. Even though last year was really difficult and challenging and I do not want to go back and dwell on them, I do look at all of the positive things to come out of 2012. I had my second book published, I landed a job, and I finished writing and revising another book. All of this carries with me into 2013. The bad stuff I’m leaving behind in the past where it belongs!

As for the future, I really can’t control much of that. I can plan for it, anticipate it and look forward to it. But I refuse to let it rob me of my happiness.
What that means is I’ve set some goals. I even posted them on facebook. BUT…already here it is the second week of the year and already I’m having to revamp my goals. Does that make me a bit anxious? I’d be lying if I said it didn’t. But the opportunities for growth are incredible. I still plan to write! My goal and it continues to be my desire to write 100 words per day. I know that’s not a lot, but once I get started I often find it difficult to stop at 100 words. So far this year, I’ve written over 11,000 words.

However this week is not faring as well. I’ve been “robbed” of my writing time. I say that totally tongue in cheek. Sometimes more loftier things happen, things that God needs you to do right now. And that’s totally okay! Tomorrow is a new day to begin again and to sit down and write. It’s only 100 words after all.

So what goals have you set? Have you already had to revamp?
Just remember it’s really okay to revise at any point in your life. Remember, the future is wide open before you. Don’t be anxious about it, just keep plowing forward a little each day!

No-No Nano

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So here’s the deal. My current work in progress does not count because it’s a story I started already. So instead I’m doing my own version Nano. I’m still going to write my 50K, but it will be on a couple of projects. As I’ve had to reassess my writing, I realized that I have other works that are much more pressing.

I’ve had to release myself from the guilt of not doing Nano, but I just couldn’t let go of that 50K words. I’m still here to give you encouragement and in so doing I’m encouraging myself. So Press ON! Remember to press through. Even if you don’t feel like writing and you’ve hit that wall of writer’s block, tell yourself you’re just going to write 100 words. You’ll be amazed at how those words soon become several paragraphs and those become pages. Before you know it you’ll pass your daily goal to reach your ultimate goal of a finished novel (in my case I’m hoping to finish two of my novels.

Good luck! I’ll see you tomorrow!

NaNoWriMo Starts Today

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I know, I know! I’m late getting this post out. But you still have 29 days to write. If you’re like me you have to take at least one day a week off to veg, do something else, pretend to have a life other than writing.

I really do love to write, but we all need a day to rejuvenate. You also might want to take Thanksgiving off to give gratitude for the wonderful gift of writing that you’ve been given. So if you figure that you’ve taken a minimum of 5 days off during NaNoWriMo, you will have 25 days left to write. That’s about 2000 words per day. If you can write about 1000 words in one hour, then you should set aside at least 2 hours per day to write. That’s doable, right?

It comes down to the old adage…”How do you eat an elephant? One bite at a time.” So then how do you write a 50K novel? One sentence at a time. Those sentences become paragraphs, which become scenes, which become chapters and then viola, you have a novel.

I’m going to post something daily, either for encouragement, or simply progress. So check back at least a couple of times a week. Let me know how you’re doing.

Pantsing Verses Plotting

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Do you think about your novel for weeks on end? Do you lay out the chapters and scenes in great detail before you ever begin writing? Or are you the kind or writer that sits at the computer and declares to the empty page that you will create an amazing story as you go? Or are you like me, and think about your story a lot, but then let the organic feel of discovery often take over your characters?

I’ve tried plotting, honestly I have, you know, using plot points, pitch points, midway….etc. But when it comes down to it, I love to discover what my characters are going to do next. One of my favorite characters is Rachael from Soulfire. I outlined the whole story, after all, it was my first real novel. And then somewhere between chapter one and chapter two Zephenia, my main character, met Rachael in the market place. I had no idea who she was and what she was doing in my story. I left her in, not quite knowing what to do with her.

Long about chapter four I had this great AHA!!!! moment. Now of course if I tell you who Rachael really is I’d spoil the end of the book. So you’ll just have to read it and find out. But my point is that often times the joy of discovering the story has such an organic feel to it, and I love that.

I’ve started another story and every time I try to plot it nothing is working. Where is my characters mid point? What is her first crisis? These are things I just can’t seem to solidify. So I wrote chapter one, with no real idea if I’d even started my story in the right place. But I decided I’d try this one completely pantsing it. And guess what? I’m really enjoying the process much more than if I’d plotted it out. I even woke up in the middle of the night, sat up and said, “His name is Trevon and he’s a scoundrel.” That’s the character who showed up in this book. I even think I know who he is, but for new he’s a knight in not so shining armor (literally).

Will I have to revise this new story because I didn’t plot it? Most likely, but that’s okay, too.

So whether you are a strict plotter, a loose pantser or somewhere in between, writing is about enjoying the craft.

The Quandary of Present Tense

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I’ve spent some time playing with first person present on my current work in progress. I love it. My main character is a jerk, not that he means to be, but his circumstances throw him into a position of self-defense and that translates into his treating another student at his high school unkindly. “But no one is that mean.” That’s the comment of one of my beta-readers. My son, who was a sophomore at the time turned to his father and said, “Oh, yes they are.”

Which brings me back to my work in progress, written in first person present. I love being inside Jake’s head. I love that everything unfolds right here and now. I only get to hear his thoughts, his reactions, his feelings—and it’s all pretty knee jerk for him.

When I first started reading books written in first person present, it jarred me a little. But now that I’ve spent some time writing in it, I find that I love it.

Susanne Collins wrote in first person present in her novel Hunger Games, a book I really loved. Collins not only tells a gripping story, but does it in such a way that I felt like I was right there, and I’m sure that was because the story unfolded as if I was Katniss. I felt her inner struggles, her love for her sister, her horrors, her triumph. That I owe to the present tense of Collins’s storytelling.

Here’s the problem. Editors, for the most part, hate it.

When I pitched The Penny Project, my current work in process about Jake the jerk to my editor, she loves the story and wants to publish it. The problem is the present tense. She hates it. So do I abandon my notion of writing in present tense so that my publishing company will take the book, or do I risk not getting published at all because I love first person present for this story? I’m afraid to say that I will probably wimp out and change the whole novel to past tense. What would you do?

Why do we need story structure?

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Some people think that story structure makes every story the same, that it limits creativity. K. M. Weiland compared story structure this way: “Because every ballet incorporates the same movements, therefore, every ballet must be the same.” If you’ve ever been to a ballet, you know that the same type movements are incorporated in every dance, yet each dance is as unique in style and execution as each story.

So where do we begin with our story structure. Dan Wells likes to begin with the end in mind, or at the end of the book. Know where you’re going is a great place to start. For instance, if you know that you want to have your main character strong at the end of the book, then he will probably start with him weak. If your character is lonely, then your character will end with having friends. Look at your character and figure out what your character will be like by the end of the book. So starting at the end of the book will give you direction throughout your story.
Now that you know how your book ends you’ll want to start with a great hook. After all, if you want your reader to make it all the way to the end of the book, you want to start with some something that draws your reader in and makes you care about him, and the sooner you can make this happen in your story the better. The best place for a hook is certainly by the end of the first chapter, but even better if it’s on the first page or what about the first paragraph? The best of all is a beginning sentence that completely sucks us helplessly into the book.
Act I
After your great hook you launch right into Act I. Here is where we get to know the characters, what’s at stake for them? What does the main character stand to lose. And most importantly is why we should care.
Inciting Incident
This is the part of the story where we are faced with a conflict or crisis. Always in the first part of Act I. This is usually something that happens to the character that he has no control of. The main character merely follows along because he has no choice.

Plot Point 1
The first plot point is an event that changes everything and becomes a personal turning point for the main character.
The first major plot point is one of the most exciting moments in any story. Hit your character with something so cataclysmic that your readers will keep turning pages. This again will be something that forces the character to react.
Act II (the first half)
At this point the character is still reactionary. He reacts strongly to what is happening around him. This also needs to be a foreshadow of how things will play out.
Midpoint-halfway
This is almost exactly halfway through your story. At this point something drastic needs to happen to your character that forces him to act instead of react. It’s the point when the character takes control of what is happening. Even if he is powerless to change events, he now takes charge of his actions.
2nd half of Act II
This is the character’s epiphany, his self-realization. It’s his “Aha” moment. From here until the climax is where things really start to roll at a break-neck pace. Make sure that the character is changing and growing, perhaps in unexpected ways. Pay attention to his relationships to other characters.
Act III-No escape
This is the point in which all seems lost. The main character faces the antagonist. There is no escape.
Climax
The climax of a story is at the end of the No Escape and should have readers on the edges of their seats, biting their nails. At the end of the climax is the victory, in happy-ever-after stories, or the death in tragic books.
Resolution
This part of the book that ties up any loose ends. It’s the character’s reactions and shows him moving forward with his life as a forever changed person. It’s the last time the author has to leave his reader with any final thoughts or feelings. It can be a reiteration of the theme.


One final thought on resolutions. There are two kinds of resolution. One is external conflict like the kind we have in a plot driven novel and the other is internal conflict like that found in a character driven novel. And as Dan Wells so brilliantly put it, “If you can have both types of conflict in your novel, your book will be even that more powerful.”
Now with all that said, go check out story structure by visiting Dan Wells on YouTube. Be sure to watch all 5 episodes. You will learn so much!

What do you find the best way to structure you story? Are there any elements you add to your structure?

More Short Story Contest Information

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Every year as part of my high school curriculum I teach a short story unit where we read and analyze several different stories from a variety of authors. One of the things I always point out is the key elements of an excellent short:

1. A limited number of characters
2. A single issue
3. The main character is dynamic and round
4. Strong theme
5. Twist or surprise ending

As a celebration of Short Story month I’m offering a contest.

Here are the rules:
1. 1500 words or less (title not included)
2. No horror or sensual/errotica
3. All entries must be emailed to me by midnight May 31, 2012
4. Email entries to authorbetsylove@gmail.com
5. In the subject line put “Short Story Contest” and the title.
6. Cut and paste your story into the body of your email. (No attachments)
7. Include your name and contact information at the end of your email (Snail mail, daytime phone number, etc). T

Only one entry per email address
The stories will NOT be judged by me personally.

“So, what’s in it for me,” you ask.

The winner will receive a choice of one of my books:

The first, second and third place winners will get their stories published on my blog. All rights to your story stay with you once the contest is over.

Good Luck, and may the best short story win!

Short Story Contest

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May is National Short Story month. In honor of this, I am holding my second annual Short Story Contest! The theme this year is “Dare to Be.”
Rules:
1. 1500 words or less (title not included)
2. No horror or sensual/errotica
3. All entries must be emailed to me by midnight May 31, 2012
4. Email entries to authorbetsylove@gmail.com
5. In the subject line put “Short Story Contest” and the title.
6. Cut and paste your story into the body of your email. (No attachments)
7. Include your name and contact information at the end of your email (Snail mail, daytime phone number, etc). The winner will receive a copy of a novel of their choice:

The top three winners will be published on this site sometime in June.

I’d also like some volunteers to judge the contest. If you are interested, and would like to help, please contact me at the same email.

Have fun! Get your creative brains going and write a killer short story.

As a quick side note, my fantasy trilogy began as a contest for a short story. You never know where this will lead you! If you have any questions please ask in the comment section below. Happy Writing!

Betsy